Co-Operation comes before Love


Archangel Gabrielle: Cooperation Comes Before Love
April 3, 2017 by Steve Beckow

For those of us saying “But I don’t feel love for this person,” begin, as Archangel Gabrielle suggests here, with cooperating.

Cooperation Comes Before Love

Archangel Gabrielle, Saturday Conference Call/040117

Linda Dillon Channel for the Council of Love

Greetings, I am Gabriel. I am Gabrielle, lily of love, trumpet of truth, messenger of One. And yes, sweet angels, beloved beings of light, children, servants, companions of our dear Mother, welcome.

I come this day to speak of a very boring subject, and that is the subject of cooperation. It is one of those low-key areas that doesn’t get a lot of attention, but I intend to bring your attention to this.

What is cooperation? It is an expression and experience of love. It is a practice of love. It is bringing into form, into your experience of being alive, what it is like to be divine. You see, cooperation is very important to us, to the Mother. There are more realms, more universes, more realities, and although you are in a reality that is defined by twelve dimensions and twelve planes within each of those dimensions, there are many dimensional realities as well. But, I think to start with, 144 and the 13th Octave is plenty to deal with. And in all of this there is the essence of cooperation.

Love is the welcoming, the embrace, the acceptance, the true understanding and wisdom of yourself and yes, of others, but only, beloved ones, once you have discovered and truly expanded into that reality of who you are.

So, while I come to talk about cooperation upon this planet and throughout the universe and amongst each other, I first begin with cooperation with your sacred self. Dearest Joe, you asked about what are you supposed to do with your physical body? This is a question that has plagued human beings for eons…Okay, I’m here. I’ve got this form, now what am I supposed to do? And of course, our answer is always the same…it is to enjoy your physical experience. You are angels in form dancing upon a planet which is an archangel. You have been given everything and at the same time, you have been given one of the greatest challenges ever.

You have come upon a planet that has basically forgotten the meaning of cooperation, of generosity, of sharing…not individually but as a collective culture…and you are being asked to heal that. You say, “Well, what about love?” And what I suggest to you, dearest hearts, is that before the full love comes, comes the cooperation. In discussions of language, your star family has shared with you that before Saedor, which is full disclosure and heart speaking, comes Perro, which is speaking in facts.

Cooperation straddles the two. What it does is gives you enough information that you are able to see yourself and others and to put that in a context that allows you to proceed. But you cannot proceed, not in the way of the Mother’s plan – which is really all we’re concerned with – you cannot proceed if you are not in full cooperation with yourself because then you are over-extending and robbing Peter, literally, to pay Paul and that will never work.

In many traditions of many religions, self-sacrifice has been seen as a mighty virtue. What I suggest to you is that when you are sacrificing yourself, you are turning off the spigot of love and you are turning off the connection to your higher self and your universal self and to your body. Why would you wish, in any situation, way, or form, to compromise your beloved sweet self?

Cooperation means that you proceed in ways that fortify, nurture, surrender, take care of, the totality of your being so that you are sufficient; that you have enough energy in order to proceed with your mission and purpose which is always going to be in concert and interaction with others, whether it is one or one billion, it matters not. Energy is required and if you are starving yourself, self-sacrificing yourself, because you feel that this is saintly, then child you have truly gone down the wrong path, you have gone down that rabbit hole.

Now, I am a practical archangel, that is what has made me, given me the privilege of being Central Administrator of the Mother’s Universe. So, I say to you, “What does cooperation mean to you and what does it look like, particularly with your sacred self?” It means, beloved one, that you are listening, paying attention, and actually responding. Many of you say, “Well I listen to myself, to my higher self, to my universal self, to my body all the time.” To which I say, “Bravo! You are doing stellar work.” But sweet angels, after you listen, after you receive the information, after you receive the messages – either subtle or dramatic – how do you respond?

When you are tired, do you rest? When you are exhausted, do you say, “One more hour?” When you are literally dying to go outside, take a walk and get a breath of fresh air, do you say, “Well, I will have to wait for another day because I’m busy now?” When your children want to play, can and does your body agree or have you let it fall into disrepair, that you are no longer limber or energetic enough to get on the floor and roll around? And might I suggest, even if the children aren’t around or available, that you get on the floor and roll around just for the sheer joy of it?

Cooperating is cooperation with every part of your being. Now, not all of you are fully in touch with the reality of your interdimensional being. Not all of you are in touch, fully, with your sub-conscious or unconscious. What I am asking of you, what I am suggesting and pleading with you is if you listen even to the conscious messages, that your higher self, universal self is constantly feeding you and your body is feeding you, your emotional body is feeding you, your causal body is feeding you, your mental body is feeding you, and respond with kindness, generosity, gentleness, then you will have the necessary balance, the groundedness, the integration to go forward. And from there you can jump into your inspired self and go forth to what you truly want to do.

But this level of cooperation with your sweet, gentle, brilliant, magnificent, expanded self is necessary…yes, necessary. Your integrating levels of energy that are incomprehensible to you…I do not say that in the way of denigration, I say it at the level of energies that you are holding and integrating, anchoring, and expanding into. You do not have the science base to explain or to understand. So, if you were a nuclear physicist you would come close. But you have heard me, child, talk time and time and time again about the implosion/explosion, and that is happening at a catalytic rate constantly, right now.

You’re preparing…you say, “Gabrielle, dear Gabby, I am sick and tired of hearing you talk about preparation and clearing!” You are preparing. You are in readiness. And what that means, sweet angels, is you have need to be in a clarity and a purity of association, cooperation, integration, love, with all parts of your being. Because it has never been that the Mother has said, “Go, go my sweet angels and be in form. And by the way, don’t pay any attention to your form, just concentrate on the spiritual. Yes, you will have emotions, but pay no attention to that, pay attention to the spiritual or pay attention to your body. Oh, you will have brilliant, magnificent thoughts, you will discover the meaning of the universe, but don’t pay attention to that.”

No, it has always been all of the above. And it continues in ways that are far beyond the current past experience of humanity…to be all of the above plus, plus, plus, plus. I bring this to your attention as your sister, as your guardian, as the lily of love because I care and love you so deeply. I do not want you to get to that starting point, to hear the gun and start to run and fall down after five minutes because you have not cooperated with all parts of your being, you have not expressed the love, the surrender, the acceptance, the welcoming to all pieces of who you are.

So, if there is anything, for any reason, because you thought it was taken care of, because of fear, because of anger, because of trepidation, any of the old reasons, if there is anything that you feel that you have not addressed, take a moment and simply fall in love, cooperate with what is rising to the surface, what is gaining your attention, what has been waving out of the corner of your eye. In this deepest level of cooperation, beloveds, you are cooperating with the Mother, with the Father, you are cooperating with your piece of the unfoldment of the Mother’s Plan. You are cooperating with the entire Council of Love that is at your beck and call, we always have been; we are in sacred union and we are cooperating more than you know.

And from that level, a fundamental foundation of peace, because that is what cooperation is, it is the bringer of peace. From that you create a family, relationships, communities, cities, nations of peace. But where there is friction, where there is constant chaos, there is not creativity, there is only tearing down and destruction. So, turn inwards my beloveds, turn to the brilliance, turn to the softest yellow with a tinge of blue, and practice cooperation.

Go with my love and go, sweet angels, with my joy. Farewell.

Channeled by Linda Dillon
© 2017 Council of Love, Inc.
http://counciloflove.com/

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The Expatriate – Billy Blue

First published in Oct/Nov 1984, this story won a Billy Blue Literary Award for fiction in 1985. For those readers who have been asking for longer posts, this is for you!

When I think of Brian Nanicull, I see him standing on the verandah of his plantation  house as the sun rises over Maloe Bay. I see his red hair and beard, his freckled complexion above the eight or ten curly heads which surround him. He is discussing their various ailments in pidgin English. Brian administers Chloroquin to a shivering dark skinned Buka, one of his plantation workers, with a bad dose of malaria. Someone requests that he open the store and the little group marches down the steps to a corrugated iron outhouse which sells everything from thongs to rice. The day’s work has begun

The odour of fish and breadfruit chips wafts from the kitchen, separated from the main house by a covered verandah like the downstroke of a T. Ariou arrives on a motorbike, clad in a flowered lap-lap, carrying a ripe pawpaw and a handful of limes to bring out the flavour of the piquant red fruit, the first course at breakfast.

Nia his wife is dressing the children for school, while baby Marcus plays at her feet. Brian arrives and beeps the horn.

“School Kev, anyone else for the ride?”

The car bumps along the coral sand road, past rows of palms, dodging coconuts and comes to a few houses on the outskirts of a village. A chicken squawks across the road, an old man waves, a soman is sweeping the coral sand in front of her house with a short sago palm boom.

Stopping in front of Nia’s parents house Brian asks:

“How is Fili this morning.”

“He’s much better, fever all gone.”

Smiling faces surround the car, hands waving, shy grins. Brian checks his patient. Grandma takes baby Marcus. We move off again and the car grinds its way over the coral shingle to the school.

The collection of buildings is built in part of  native style materials – the roof is palm thatches, the walls are woven bamboo. A blackboard adorns one wall, rows of desks sit on the coral sand floor.There are no windows – the trade winds have free access here. Kev jumps out of the utility tray onto the white sand and runs through the green and red leaved crotons ringing the playground. Children are shouting, running, kicking footballs, drinking and splashing of the water pump. The bell rings. The silence is broken by the rustling of coconut palms, the drone of insects and the cry of terns.

The road crosses the airstrip which Brian examines minutely, feeling the sand between his fingers – its dry, coral sand drains well. The wind sock points northwest and the air is hot and heavy as we enter the surrounding jungle. Beside the road are two taro beds, indentation of marshy ground, patches of cultivation among the jungle vines and creepers. A man is cutting into the fleshy big leaved plants with a bush knife. Served boiled or made into a type of bread, it forms the stable food of the islanders. Sweet potato, breadfruit, bananas, fish and chicken add variety.

The road burst forth into the open vista of coconut plantation.The coconut palm is to the islanders what bamboo is in Asia – a plant whose utility is as varied as man’s ingenuity. Houses, roofs and walls are thatched with palm leaves, sago palm is better but scarce, a woven hat provides shade, a sleeping mat not much comfort – the green leaves are woven into dishes which won’t burn, green nuts provide a cool fruity drink, while the meat of the nut flavours chicken, taro and fish. Cophra from the dried meat of the coconut provides income to buy what the plant itself cannot furbish.

Returning to the plantation, Brian starts the generator. In the house, fans begin to whirl, the radio becomes operational, Nia begins to iron.

“Wuvulu, Wewak, do you read me Wewak, over”.

“Come in Wuvulu, over.”

“Brian Nanicull here. Do you have a flight coming over today?”

“Yes. What would you like us to bring Brian?”

” There’ll be an order to pick up at Burns Philp – medical supplies – and don’t forget the South Pacific lager and  the mail.”

“How’s the strip?”

“Condition A!.”

“We’ll be there around 12, over and out.”

Brian drives out past the well and the cophra drying shed, past the corrugated iron houses of the Sepik  boys, the plantation workers, to an area of plantation being cleared of undergrowth. Small dark figures, hair garnished  with red hibiscus wield  flashing bush knives, slashing to the accompaniment of high voices engaged in pidgin chit chat, interrupted at intervals by peals of laughter.

Further into the plantation, crabs scurry before the car, retreating into holes just before the wheels. A figure grows larger between the trees. A wave, a smile and work continues. He aims a coconut at a stake driven into the ground, twists the nut off the stake and strikes again a little further around the nut. Three strikes and the coconut is dehusked. The husk fibre joins a rapidly growing pile. The nut is split by a sharp blow from the back of the machete and white milk splashes on brown feet as the two halves join another pile beside a sugar bag of half moons, threatening to burst its string and spill the contents on to the pile. A tractor and tray pass and Simon heaves his bag on top of the 20 or so others on board.

Brian follows the tractor back to the drying sheds. Here the old men stoke the fires in the corrugated iron hothouse. Coconut sells and husks are used to fire the eternal flame, barely visible in the smoky steam bath atmosphere. Outside women are separating the dried coconut from the shell with a flick of the bush knife. Hessian bags strung between bars like a body on a trampoline are filled with dried cophra. Row upon row of rough brown bags await the  arrival of the boat which will take them to market.

A faint drone in the distances signals the arrival of the plane.

“Balus, he come.”

The utility fills quickly quickly, brown bodies sitting all around, standing in the middle, holding each other. Bicycles, motorbikes, people running walking, the traffic is heavy, where yesterday only a car and a few bikes had been seen all day.

The Cessna 402 touches down then bumps along the runway. Driving across the grass with blades whirling wind grass and dust cover the waiting crowd. The hatch opens to reveal an Aussie in shorts, long socks, followed by two contemporaries,

“Brian , I’d like you to meet Andy Williams. He’s resident doctor at Wewak Hospital now, and this is David Olwin, government officer.’

Two Wuvuluvians returning from hospital are greeted by handshakes and chatter while the cargo is unloaded.

“Come to the house and have a cold beer” and addressing the crowd:

” You tell ‘im, any mari sick, bring ‘im to house.”

A shiny roof flashes between the tree trunks, thatching over the eaves stops excess water overflowing the gutters and splashing through the net walls  – which keep out insects but allow the pale almost transparent geckos to hold on with the buttons on their fingers. The verandahs are the living quarters in this climate, the cool oasis in a vista of greenery and blue sea. A beer in the cane chairs and pancakes and tea for lunch is tropical living at its best. A knock on the door is the cue for the doctor to begin work.

“Would you like to go fishing later?’ Brian asks.

“Fine. What do you think. Pat has sold out to a group from Japan?”

“He’s probably jumping the gun a bit, but a lot of expatriots are getting out.”

“Well, some have reason to, but I’m surprised at Pat. He’s been here nearly 30 years, some of his boys have been with him as long. Well,I’ll be right, Nia has land in the village and I’ve built a house. The trouble is if the plantation goes, I won’t have an income.”

Brian gathers up lines, gaff, his odd assortment of lures. As the feathers wear out, Brian substitutes the brightest scraps of dress material he can find and these improvised lures  work better than the originals. The boat shed houses a 4 meter aluminium  boat  which is launched and sets out through the narrow channel.

“I’m getting wet. there’s a hole under my feet.”

“That’s all right, a rivet’s popped out – it’ll keep you cool.”

As the lines are out and the lures are no longer skipping the surfac, Brian removes the bungs from the boat.

“What are you doing?”

“While we’re trolling, I’ll keep the bungs out, that’ll keep the water flow constant – into and out of the boat” says Brian.

A strike! The fish is circling the boat and Brian must stand to avoid entangling the line aropud the others. He pulls a metre long fish into the water rapidly filling the boat.

“I forgot the bungs, we’d better get going fast.”

Brian informs his startled crew The lake in the bilge gradually shrinks as they ead back across the bay. In the distance dark heads bob in silver streams of sunlight. Long poles reach out over the reef edge seeking dinner.

“You know the water off Wuvulu drops off to 1000 metres.”

“It must be an underwater mountain, how far out is this deep water/”

“In most places right off the reef flat, say 40 metres from the edge. At night when there’s a moon, the villages fish for the legendary ferrari, in 500 metre ow water using a rock and a banana leaf.”

“OK, come in spinner, what’s the rock and the banana leaf for?”

“The rock is the sinker and the banana lea, releases the rock and allows th bait to drift in the current at that depth>”

“What’s this ferrari look like?”

“Well it’s something like a grouper, but has phorescent lights on its body and a fishing line and bait dangling from its mouth.”

“That I’d have to see to believe>”

“I’ve never been able to find it in any book on fishes, and I’ve found most others I’ve seen up her.”

“Why don’t you send one to The Australian Museum?”

“Well, one day I hope someone from here, maybe my son or one of the village boys will clear up some of the mysteries. I  hope to see the day when Wuvulu produces doctors,scientists and anthropologists. We’ve produced a few local celebrities already, unfortunately they have to go away. The best of our young people are drained away from here,”

Back at the beacj tje Sepiks crowd around to view the catch with laughter and praise. There are plenty of willing hands to haul the boat into the shed. Brian gives the fish to them – protein is scarce in their diet.

“We’d better be making tracks,” says Jason.

“Come in for a beer, and a clean up first”.” As they make their way to the house Jason comments:

“I envy your lifestyle here Brian, no problems, things carry on from day to day.”

“Well I have my problems, but I like I like it here, I guess I’ll die here.”

A smiling face approaches.

“Good on you Warlou, Kuka for tea.”

“What is that?”

“It’s a land crab that uses its claws to break open coconuts.”

“I wouldn’t like to tangle with one.”

“You wouldn’t be the first to lose a finger.”

A crowd is gathring near the store and Brian opens up for the second time while the others wander into the house.

Relaxing in a deep cane chair, Andy comments to Jason.

“Last time I was here it was not so peaceful. We had an emergency call to treat a little girl with a broken arm.”

“That doesn’t sound too bad.”

“No, but an old man appeared while I was treating her. A boy was sick in the village and he wanted me to come.”

” Well, Brian and I got down there as soon as we could, but it was too late – the boy was already dead.”

“What was it?”

“Without an autopsy, I couldn’t be certain, but appanently h had been sick for days with some kidney complaint.”

“Hadn’t Brian seen him?”

“No, that’s the strange part – he didn’t hear a whisper of it. They’re strange people sometimes, superstitious, probably strict Seventh Day Adventist. Better not say anything to Brian, he was pretty upset about it.”

As Brian enters, Jason offers him some Kuka.

“It’s delicious Brian, like lobster and thanks and thanks Brian for everything, it’s just like I was told, a paradise.”

The rhythmic pounding of Sepik drums or Kunda heralds the plane’s departure. As it circles the jewelled green island, Brian’s arm encircles Nia.

I was in Wewak again last year. As I drove along the waterfront, I saw a familiar red head and freckled face. He was driving a bulldozer. When I spoke to him of Wuvulu, he told me he left after independance, when the Plantation was resumed by the government. I asked him why he doesn’t come back home and he said:

“Wuvulu is home.”

I was reminded of an earlier visitor, Birger Morner, a Swede who visited Wuvulu in 1913 on a yacht, who wrote:

“Follow me, follow me you who shiver in the cold, to my far Pacific Isle, where a red hibiscus gleams and my heart has taken root.

 



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Wuvulu Update

The update follows a fiction piece which won the Billy Blue Literary Award in 1985 and was first published in Billy Blue magazine.I was reminded of it after talking about my experiences in New Guinea in the 1970’s before independance. It reflects the way of thinking at that time and a branch in the path which has led to the present.

New Guinea was under Australian jurisdiction. There were Europeans who had been among the first Patrol Officers who had gone into some remote valleys, still walking around. The plane circled the butterfly shaped island and the memories came flooding back. As the coconut palms in neat rows came into view beneath me, I saw people cycling, walking, making their way to the grass strip below. A soft touch down a bumpy ride along the strip and we surrounded by Wuvuluvians, shouting, laughing, excited to see relatives and friends return from mainland Papua New Guinea, 180 kilometers away.

I first visited Wuvulu with my husband Kevin in 1973 when a Sydney solicitor Colin Helliar contacted us about making a film on Wuvulu. Colin and Paul Stocker had purchased the island, a cophra plantation and were planning to develop it as a tourist resort. They had a group of international backers including actor William Holden, author James A. Michener, well known yachtsman and wine, maker Jim Hardy and marine architect Jean Michael Cousteau. Far ahead of its time they had a visionary plan to develop the island while each aspect of development was controlled a and measured. The original cophra plantation – Agita – occupied 6,800 hectares and was expropriated from the Germans by the Australian Government and later sold by tender. When they brought Agita, Stocker and Hellier established the Bismark Planters Society to administer the provision of medical services to the islands, maintain roads and airstrip, run a Co-operative Store and maintain adequate water supplies. Half of the island was given back to the islanders with the intention tha only 10 percent of the island would be developed. The development was to be supplied by windmill generated electricity and serviced by a sophisticated sewerage plant. Petrol powered vehicles and outboard motors were to be forbidden as was spearfishing or shell collection

After being approached by Paul Stocker, Jean Michael Cousteau’s Living Sea Corporation did an initial survey of the island and their report states: `Thus, it seems possible to create for the first time a situation where civilization will not destroy the natural environment and where a balance of nature will be retained. We can prevent environmental problems rather than having to cure them. In addition the potential for scientific investigation is great. Because the cophra plantation of minimal impact is the only evidence of man’s development, the jungle and reef can provide an exploration and testing ground for scientific studies. It could solve one of the greatest barriers to investigations, namely the lack of research facilities in remote areas and open Melanesia to science. In addition it may be possible to create a national underwater park that could blend into the creation of an International Commission for the Protection and Preservation of South Pacific Islands. A project of this type is already in its infant stages’.

Jean Michael Cousteau’s enthusiasm for Wuvulu was reflected in repeated visits to the island. In 1973 he organised with Pepperdine University in California, an initial 4 week extension course to Wuvulu. Students and teachers were given the opportunity to see a experience a primitive South Sea island, to work on scientific projects both land and marine and to participate in Project Ocean Search.In the following years the expeditions continued. In 1976 the New Guinea Government was formed and immediately resumed all foreign owned land. It was a terrible blow for the creators of the environmental plan for the development of Wuvulu. All land was resumed and the development ceased. Project Ocean Search continued for a while using the Calypso Maru, one of the Cousteau Society vessels.

On our first visits we stayed in the Plantation House with Manager Brian Cullinan. It was built by Faui, a Dane born with the name Edvard Christian Antonius Nielsen-Ortofft in 1870. Wuvulu was discovered by Ortizde Retes, under the command of Phillip !! of Spain’s man o’war San Juan in 1545. The natives attacked the ship in canoes, their war canoes with high prow and stern, and did not retreat despite heavy losses until their entire supply of arrows, spears and stones was gone. After a period of world wandering the sailor Faui arrived on Wuvulu in the 1890’s. Though they sought his life for many years, the natives grew to respect Faui. His name is derived from the tough coir fibre of the coconut husk. Around the turn of the century when Nalipei was King (Poalla) a young girl refused his advances and he buried her alive as a punishment. Another girl Upa-Upa displeased him and he had tied her hands and feet with lianas and tied her to a tree with a mussel shell fish hook though the cheek. She freed herself by a violent jerk of the head tearing the hook out of her cheek after 2 days. Faui saved her and when the Poalla and his men arrived, refused to give her up. He organised a revolution and Nalipei abdicated. The people gave him the Royal white shell and he became King.

Faui built the Plantation House with materials brought from Shanghai. It was the oldest European building in Papua New Guinea. Birger Morner who visited Wuvulu in 1913 described it: `The single storey house has three rooms and is entirely surrounded by a verandah. Like the stem of a T – a covered path leads from the middle rear to a smaller building containing the kitchen and bathroom. The seaward front lawn is large, providing ample spac for two grazing ponies and about 100 chickens, geese and ducks.’ When we arrived in 1973 there were some changes, but the house was recognizable from that description. There were no Chinese ponies on the lawn and the verandah had been covered in with mosquito net, where geckos clung to the wire, racing up and down through the night. Bamboo furniture from Wewak graced the verandah, a welcome sight after a day’s diving and filming. Faui’s grave was in a grove beside the house surrounded by Crotons with their colourful foliage.

The most spectacular aspect of the diving is the shore diving. Just offshore you can plunge into 700 meters of water onto cliffs of coral. The island is an underwater mountain right on the edge of the continental plate on which Australia and New Guinea lie. While diving and filming on Wuvulu in the 1970’s we were diving from an outrigger canoe with a hookah supplying air from the surface. While diving we discovered a cave. It was about 30 metres long and went back into the reef. Huge black coral trees hung upside down from the roof and big cup sponges adorned the roof and walls Obscured by a mound covered with coral the cave entrance was sheltering a huge grouper, as big as a cow and as placid I hoped, as he watched us swim around the cave. The cave had stalactites growing from the ceiling indicating it had been formed on dry land. Later other caves were discovered at this depth around the island indicating an old sea level now 20 metres below the surface. My first awareness of sea level changes. A unknown cave species of fish was later found, which unlike most cave dwellers does not orient itself to the nearest surface.

Many of the fish on Wuvulu are unusual. The Wuvulu people fish for a deep sea fish called `ferrari’ The long fishing lines could be seen strung between coconut trees to prevent kinks in the line. They live in very deep water and at night the fishermen go out in their outriggers. They use live bait on a hook with a lump of coral tied in a banana leaf, lowering the bait to 200-300 metres and jerk on the line to release the hook at that depth. When the fish comes to the surface its huge eyes, glistening skin and long teeth identify it as a deep water species – an unattractive feast to our eyes. While the tools and artifacts are still made by the Wuvulu people, their heritage of song and poetry is almost gone and their oral history was remembered by only the very old people. Their stories are sung. The partipants were decorated with greenery and wore white feathers in their hair. The sang love songs. One of their poets Rau who died in the 1860s is considered to be their greatest poet. Sadly only one of his poems is recorded:

Song of Morari (Big Bowl) and Leimea (Jellyfish)

She longed to meet him once again,

Though he was another’s man

She had to see him once again,

Though she could not imagine how.

She went in the night to the lonely shore

and played her flute all alone.

A youth came walking out of the dark

But he was not the one.

Sadly she turned to her village back

And sought some Pandanus leaves.

From them she braided rings for her arms

That rustled at every step

She went again down to the shore,

For a star, a white one That she knew to light up the dark.

She saw a star gleaming As white as a shark-toothed knife

A light she thought that she knew but fear and pain held her fast.

She felt of a sudden a shark toothed knife

Tearing her body apart.

But it was no star, no royal knife

She had seen the eyes of her love

Gleaming star-like in the dark

As he came across the sand.

She stood head bowed

He took her by the hand.

They walked in waiting silence In darkness to her home.

If I can create into manifestation one project I’ve worked on, it would be this, an environmentally sustainable Wuvulu. The Award Winning Billy Blue story will be posted next post. Here’s an entry I found which has a photo of Faui.

https://www.calbo.dk/htm/mygrandmasunclewasaking.html



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